Filed to story: Kissed by Claw and Fang
“Are you kidding me? You’re going to start in on Zane now?”
“Of course not. I’m just saying, I’m the one telling you about the tunnels and keeping you from freezing off all the important parts of your anatomy. He could have mentioned them to you before sending you out into the cruel, cruel winter.”
“It’s fall.” I roll my eyes. “And are we going to do this every time we talk about Zane?”
He holds his hands up in mock innocence. “As far as I’m concerned, we never have to talk about Zane.”
“Funny claim coming from a guy who keeps bringing him up.”
“Because I’m worried about you. I swear.” He draws an
X over his heart. “Zane’s a complicated guy, Ivy. You should stay away from him.”
“I find it interesting that he says the exact same thing about you.”
“Yeah, well, nothing says you have to listen to him.” He makes a disgusted face.
“Nothing says I have to listen to you, either.” I give him a shit-eating grin. “You see my conundrum, right?”
“Ooh. The new girl’s got some claws after all. I like it.”
I roll my eyes. “You’re a total weirdo. You know that, right?”
“Know it? I own it, baby.”
I can’t help but laugh as he makes a ridiculous face at me, crossing his eyes and sticking out his tongue. “So are you going to show me these tunnels sometime this year, or am I going to have to do my best impression of the abominable snowwoman?”
“Definitely the tunnels. Turns out I’m headed that way myself. Come on.”
He reaches for my hand and makes an abrupt left turn, tugging me down a narrow corridor that I don’t think I would have even noticed if he hadn’t dragged me into it.
It’s long and winding and slopes down so gradually that it takes me a minute to notice we’re descending. Sebastian keeps a firm grip on my hand as we pass a couple of students coming the other way.
The hallway is so narrow that all four of us have to press our backs up against the wall to keep from crashing into one another as we pass.
“How much farther is it?” I ask as we get back to walking normally. Or at least as normally as we can walk as the ceiling starts to get lower as well. If this keeps up, we’ll be duck-walking through this thing like they had to do in the pyramids.
“Just another minute to the tunnel entrance and then a five-minute walk to the art studio.”
“Okay, cool.” I pull out my phone to check how we are on time-seven minutes-and see that Zane has texted me twice. The first one is just a string of question marks that I assume is a reminder about my schedule. And the second is the start of a joke:
Zane: What did the pirate say when he turned 80?
Oh my God. I’ve totally created a monster. And I love it.
I text him back a laughing emoji along with a string of question marks of my own. I also text a copy of my schedule-not because he demanded one earlier but because I want to see if he’ll follow through and find me again. Once the texts are delivered, I shove my phone back in my pocket and try to tell myself that I don’t care that much if he shows up or not. But it’s a lie, and I am very well aware of that fact.
The light is getting dimmer and dimmer the farther we go down this corridor, and if I were with anyone but Sebastian (or Zane or Macy), I’d be getting nervous. Not because I think there’s anything wrong necessarily, but because I can’t help wondering: If the walkway to the tunnels is this creepy, what are the actual tunnels going to look like?
“Okay, here we go,” Sebastian finally says as we come up against an old wooden door-one that’s protected by an electronic keypad that has my eyebrows lifting to my hairline. Nothing in my life has ever looked as incongruous as that keypad in the middle of this musty, dusty corridor with a door that looks to be at least a hundred years old.
He punches in a five-digit code so fast that I don’t see any number past the first three. It takes a second, but then the light above the door flashes green at the same time as the door unlocks.
Sebastian glances over his shoulder at me as he reaches to pull open the door. “You ready?”
“Yeah, of course.” Another glance at my phone tells me we better hustle or I’m going to be late.
Sebastian holds the door for me, and I smile my thanks at him, but the second I take a step over the threshold, a little voice deep inside me starts screeching-telling me not to go any farther.
Telling me to run.
Telling me to get the hell away from these tunnels and never look back.
But Sebastian’s waiting for me to go. Plus, if I don’t get moving, I’ll be seriously late to art. Definitely not the first impression I wanted to make on the teacher of my favorite class.
Besides, this is Sebastian. The guy who jumped out of a tree and took the brunt of a very nasty fall just to save me. It’s ridiculous to think that I might have to run from him of all people, no matter what Zane says.
Which is why I shove all the new and bizarre misgivings I’m suddenly having back down where they belong. And walk straight across the threshold.
With Friends
Like These,
Everyone Needs
Hard Hats
Sebastian follows me through, then lets the door close behind us with a solid thump.
The room is dim, even dimmer than the passageway here, and it takes a minute for my eyes to adjust.
“What is this place?” I demand once they do. “It doesn’t look like a tunnel.”